All this month – and next month if you can believe it – the Gene Siskel Film Center is showing an astounding twenty films from extraordinarily influential Japanese director Nagisa Oshima. Unfortunately I dragged my heels on posting this, assuming that anyone who reads a&o probably wouldn’t watch any of these…though I suppose that was an unfair assumption on my part. Either way, whether you’re a cinephile or not, you should definitely watch as many of Oshima’s films as you can – especially in an incomparable theater setting like the Siskel Center. It’s very possible that you’ll never get a chance to some of these films (with English subtitles) ever again, and you certainly won’t get a chance to see so many of Oshima’s films at once.
All show times for the films listed below can be found at the Siskel Center site, or you can give them a call at 312-846-2600.
A TOWN OF LOVE AND HOPE (1959, 62 min.)
BOY (1969, 105 min.)
THE MAN WHO LEFT HIS WILL ON FILM (1970, 94 min.)
THREE RESURRECTED DRUNKARDS (1968, 80 min.)
DEATH BY HANGING (1968, 117 min.)
DEAR SUMMER SISTER (1972, 95 min.)
PLEASURES OF THE FLESH (1965, 90 min.)
IN THE REALM OF THE SENSES (1972, 95 min.)
THE CATCH (1961, 97 min.)
MERRY CHRISTMAS, MR. LAWRENCE (1983, 122 min.)
GOHATTO (1999, 100 min.)
EMPIRE OF PASSION (1978, 106 min.)
CRUEL STORY OF YOUTH (1960, 96 min.)
NIGHT AND FOG IN JAPAN (1960, 107 min.)
VIOLENCE AT NOON (1966, 99 min.)
SING A SONG OF SEX (1967, 103 min.)
THE SUN’S BURIAL (1960, 87 min.)
DIARY OF A SHINJUKU THIEF (1968, 94 min.)
THE CEREMONY (1971, 122 min.)
JAPANESE SUMMER: DOUBLE SUICIDE (1967, 98 min.)
Quite possibly the “biggest deal” out of all the films being screened in the entire city of Chicago this month are part of a series entitled “Les Sixties” playing at the Gene Siskel Film Center. Film nerds would rightfully be quick to guess that the series covers films from the French film genre, La Nouvelle Vague (also known as the French New Wave). This series includes all of the following films: Contempt, The 400 Blows, Two or Three Things I Know About Her, Jules and Jim, Le Doulos, Six In Paris, Last Year At Marienbad and Cleo From 5 to 7.
Other series playing this month at the Siskel Center cover world cinema in the ’30s, abject expressionism, Russian cinema (of which the infamous Battleship Potemkin is a part of) and a handful of Derek Jarman films.
There will be weeklong runs of Kagemusha (directed by Akira Kurosawa), Viva and Beautiful Losers (directed by Aaron Rose and Joshua Leonard). According to the Siskel Center, co-director Aaron Rose will be present for audience discussion, but only for two screenings.
In addition to all that, the Siskel Center will also be doing special, limited screenings of Hollywood Chinese and Johnny Dodgeball.
Check out siskelfilmcenter.org for info and showtimes. Check out the internet for info on any of the films mentioned above.
The above list of Stephen Chow movies was scribbled down in an incredibly short amount of time by Martin Wong after a Q&A that the two editors of Giant Robot (Martin Wong and Eric Nakamura) did when they came to Chicago last April. Somehow I managed to both hold on to this scrap of paper and not get this short list up here until now, but I still feel like these movies are worth checking out, so…
Stephen Chow is most famous in America for Kung Fu Hustle, but he isn’t as big of a deal here as he should be. I hadn’t seen much of anything that he had done, but saw God Of Gamblers II a few months prior, so I asked Martin if he had any recommendations. What you see above is what he provided. A lot of these movies are pretty hard to get in the U.S., but that doesn’t mean they’re impossible to find. If worse comes to worse, you can always go to yesasia.com.
Keep in mind that just because this list was written on a random envelope as fast as possible doesn’t mean that you can’t take these recommendations seriously.
Giant Robot features Stephen Chow in their 53rd issue. Just sayin’.
After I heard a radio spot for The Corpse Grinders a month or so ago, I felt like I had to see it the first chance I got. Somewhere along the line (maybe from The Horrors Of It All?) I found out that the plot revolved around deranged, flesh eating cats. Deranged, human flesh-eating cats. After I found that out, I had no reason not to watch this schlock as soon as I possibly could. Not only did I decide that I had to watch it, but that I had to take screen shots of it too. It’s that bad. Bad in the best way possible.
If you’re looking for a review of The Corpse Grinders, I suggest going here. Or you could just watch the trailer and scroll through the screen shots below and save yourself the time. That suggestion might actually be a little unfair as I definitely back this movie, and I see no reason why you shouldn’t either. Take a look at the screens below and Continue reading
Why the fuck haven’t you bought tickets yet? If The Machine Girl and The Hills Have Eyes aren’t enough for you, then how about this?
Any more info you could possibly need is here.
Filed under events, film, horror